It is the kind of bar where the well-to-do folks of LA go For instance, here’s the first look we get at the Nick Cage character in Leaving Las Vegas.ġ INT. The visual essence of a character can also be found in their surroundings outside of where they live. He sits in an oversized beanbag chair andĪddresses us, the wall of music behind him. We come to ROB - always a hair out of place, a face that It seems the records, tapes, and CD’s will never end until… Then the CD’s start, and go on, faster and faster, forever ![]() They seem to come to rest in an end of a few books… but Not a minisystem, not a matching set, but coveted audiophileĬlutter of McIntosh and Nakamichi, each component from aĭifferent era, bought piece by piece in various nanosecondsīig thin LPs. Here’s a great example from High Fidelity. We talked about characters defined by their surroundings. ![]() What we’re looking for is visual essence. Remember, this is the first glimpse every producer and actor get at your characters so let’s pack up those 35, average height, wearing jeans descriptions and get this right. ![]() I wanted to give you a few more examples of how the pros write character descriptions that make an impact. I had to cut off my last discussion on character introduction.
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